Tujuh Sebab Kenapa Orang itu selalu Berjaya

[ 7 SEBAB KENAPA ORANG BERJAYA ITU BERJAYA ] 1. Sikap dia berbeza Orang berjaya dia tak suka komplen. Tak macam orang gagal. Semua nak komplen, "Apa la tak de ajar pun", "Apa la jauh sgt meet up ?" " Apa la takde benda nak iklan" dan banyak lagi. Orang gagal sibuk kira benda yang dia tak ada. Mentaliti dia berbeza dgn org berjaya. Sikap dia berbeza. Kesabaran dia berbeza. Orang berjaya dia fokus penyelesaian dan cari sampai jumpa apa yg dia nak. 2. Fast Action Pantas buat keputusan, pantas buat tindakan. Dia nak, dia nak. Tak pikir pun macamana nak jadi. Nak berniaga buat je dulu. Ada orang pikir langit dan bumi, tapi orang berjaya buat je dulu, sebab dia tau Allah akan uruskan seterusnya. Usaha hak kita , rezeki hak Allah. Jangan sibuk buat kerja tuhan. 3. Berani Melabur Mereka sanggup labur untuk kejayaan mereka. Invest duit, tenaga dan masa untuk capai apa yang nak dicapai. Dia pandang apa yg dia akan dapat bukan apa yang dia kena keluarkan. 4. Networking itu aset Orang berjaya sentiasa bina networking yang bagus. Maksud networking: Kita adalah siapa kawan kita. Siapa nak hidup berubah? Upgrade kawan harini. Cari 5 orang kawan yang sudah berjaya InsyaAllah kita plak komfem berjaya. 5. Yakin Berjaya Sentiasa yakin dengan hati dari awal “aku pasti berjaya” . Tak give up, jatuh bangun , jatuh bangun balik. Walaupun dia ambik masa lebih sikit dari orang lain , dia tetap teruskan tanpa henti. Tak percaya? Buat dulu baru tau. 6. Hati Kental Apa pun yang orang kata , dia tetap jalan terus. Orang kata belakang , kutuk , caci maki pun dia maafkan dan sentiasa mengadu hanya pada Allah. Dia jalan terus dan fokus dengan target yg dia nak sebab dia tahu bukan orang yg mengata tu yang bayar bill dia pun. So sabar dan #jalanterus✌🏻 7. Konsisten & Persistence Sentiasa konsisten dalam tindakkan. Buat tanpa jemu dan disiplin sebab dia jelas dengan apa yang dia nak. Persistent tu plak tak mudah putus asa. Mentaliti buat sampai jadi. Try , adjust and just do it 💪🏻 Macam mana ? Dapat sesuatu? 😎

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All about SYM T2 250i

1. T2 size and weight[u/]

Car length Overall Length: 2005 mm
CHE wide Overall Width: 790 mm
Ride Height Overall the Height: 1050 mm
Handle width / height of the Handle Grip the Width / Height: 755 mm　/ 1000 mm
Wheelbase Wheel Base: 1320 mm
Seat height Seatl Height: 790 mm
Ground Clearance Ground, Primal Pictures Clearance: 150 mm
Body weight Curb Weight: 173 kg
Fuel tank capacity of the Fuel the Capacity: 14.0 liter

2. T2 performance

The highest rate Maximun Speed: 140 km / h or more
The fuel consumption of the Fuel Consumption (at 40 km / h): > 41 km / l
Climbing ability Climbing Ability: > 28 deg
Radius of gyration Turning Circle (Radius): 2.6 m,
Braking distance Stopping Distance (at 50 km / h): < 14 m

The data included in this table are the original laboratory test proceeds, may be due to the external environment, riding habits vary with the actual situation.

3. T2 engine and transmission


Engine in the form Type: Four-stroke single-cylinder water-cooled
Number of cylinders Cylinder Arrangement Pre - Order: Single-cylinder
Cylinder bore / stroke for Cylinder Bore / the Stroke: φ71 ? 63 mm
Compression Ratio Compression Ratio: 10.5: 1
Total displacement Displacement: 249.4 cm
Tensioner Tensioner: auto
Maximum horsepower the Maximum Horsepower: 25 ps / 7500 rpm
Maximum torque the Maximum the Torque: 2.35 kg-m 　/ 6000 rpm
Lubrication way Lubrication the System: forced and wet sump
Use the fuel the Fuel the Required: Unleaded gasoline
Air Filter Air Filtration: paper the filter
Noise Emission of noise figure: < 77 dB,
Engine weight (NW) Engine Weight (dry weight): 37 kg
Clutch Clutch: wet mutiplate
Transmission: International six-speed

4. T2 frame with wheels

Frame Type Frame Type: Diamond frame
Frame material the Frame Material: steel
Suspension Type (front / rear) Suspension Type (front / rear): telescopic the fork / unit swing
Suspension travel (front / rear) Suspension Travel: 20 mm　/ 125 mm
Wheel size (front / rear) Rim, Size: The MT 3.00 ? 17 / MT 3.50 ? 17
Tire form of Tire's the Type: tubeless
Tire Size Tire Size : Front 110 / 70-17 　Rear / 140 / 70-17
Brake type (front / rear) Brake Type: Front disc / after dish
Brake disc diameter Brake the Disk the Diameter: φ288 mm　/ φ222 mm

5. T2 power installed components

Ignition device Ignition, the System: Full transistor ignition
Startup mode Starting the System: Electric
Generator Alternator: 114 the W / 5000 rpm
Battery Specifications Battery the Capacity: The 12 V 10Ah
Speedometer Speedometer Scale: 0 to 199 km / h
Speaker volume Horn, the Volume: 80 to 112 dB
The spark plug the Spark Plug: NGK CR8E
Headlights (much / beam) Headlight (deep / main beam): 12 V 60 W / 55 W
Taillights, brake lights Taillight / Stoplight: The 12 V LED
The front position lamp (left / right) Front the Position Lamp: 12 V 5 W ? 2
Direction of light (front / rear) Turn the Signal Light: 12 V 10 W ? 2/12 V 10 W ? 2
Reflective piece Reflex Reflector: A

Pangkalan sako Blak Pepper farm

Pangkalan Sako Resort

Marshall MG15CFXMS RM 1400.00

Carbon Fiber Guitar Amp Micro Stack (15 Watts)

Product Description

The Marshall MG15CFXMS Carbon Fiber 15 Watt Micro Stack with FX delivers an innovative internal design and approach. The MG15CFXMS features essential digital features, but with vast superior and programmable analogue tone at its heart.

Innovation, Functionality, Tone - just a few words that help sum up the range of solid-state MG amplifiers from Marshall. Combining years of experience in analogue amplification with cutting-edge digital technology has resulted in the creation of an all-encompassing amplifier series, ideal for the beginner and gigging pro alike.

Specially voiced digital effects, intuitive footswitching technology and four adjustable and storable channels are just a few of the features found in the MG range. From a punchy 10 watt combo through to an effects laden, soul pounding 100 watt head, this series has it all.

Features

• - Modern Brushed Silver Panel and Carbon Fiber Look Vinyl
• - Programmable FX Include Studio and Spring Reverb; Octave
• - 2 Simultaneous Digital FX at once
• - 4 Programmable Analog Channels- Clean, Crunch, OD1, OD2
• - Stompware pedal friendly
• - 3 Band EQ
• - MP3 Input
• - Headphone Jack
• - Angled and Straight 1x10 in. Speaker cabinets
• - 15 watts

Dimensions

Weight: 41.22 lb. (18.7 kg)

 Dimensions: 15.1" x 37.8" x 9.44" (385 x 960 x 240 mm)  

Fully programmable for switching up your tone on the fly.

The Marshall MG4 Series Stompware is a 4-button footswitch for Marshall MG4 Series MG15FX, MG30FX, MG50FX, MG101FX, MG102FX, and MG100HFX amplifiers. Each button on the footcontroller is programmable for a different stored function, and its LED status panel lets you know what's going on with your amp or tuner at a glance. Program the Marshall Stompware controller to store front-panel switches or complete presets.

Zoom’s G3

Zoom’s G3 Guitar Effects and Amp Simulator combines the ease of a stompbox pedalboard with the power of a multi-effects processor and USB audio interface. With complete control over individual effects and amp modeling, you can change your tones on the fly for both stage and studio.


THREE STOMPS ONE PEDAL

G3 offers three large LCD displays and corresponding footswitches that form a graphical interface, allowing you to utilize up to three stompbox and amp effects simultaneously. The interface has also been simplified with three control knobs for each display. This intuitive design makes creating, saving and rearranging the effect chain of your own sounds a breeze and provides easy navigation in live and studio settings.

EVOLUTION OF TUBE AMP SIMULATION

A newly developed sigmoid curve clipper re-creates the smooth clipping of a tube amplifier’s waveform. With its faithful tube distortion, G3 can simulate amplifier sounds, including clean, crunch and full-gain tones that are authentic to the original models.

REALISTIC AMP MODELING

G3’s 13 super-real amp models range from vintage to the latest trends in amp technology, each with its own distinct cabinet modeling that can be used to alter its tone characteristics. By combining amplifiers and cabinets from different makers, you can digitally design your own custom rig. G3’s modeling technology provides the best tone for both live performance and direct recording.

*Only one amp model can be used at a time.

94 STOMPBOX MODELS

G3 has 94 diverse types of stompbox presets, including some of the world’s most popular guitar pedals. You can use up to three effects in any combination. G3’s wide range of effects includes distortion, compression, modulation, delay and reverb. Its HD Reverb uses DSP power to produce a rich resonance that rivals outboard gear used in professional studios and live setups.

*Only two effects can be used in some combinations that feature amp models or HD Reverb.



NEWEST GENERATION ZFX-4 DSP

G3 utilizes the all-new ZFX-IV DSP effects processor. This generation of ZFX boasts amazing power, upgrading everything from sound to function and operability over previous versions. By using 32-bit floating-point processing, G3 possesses amplifier sounds that are more realistic than ever before.

LOOPER WITH 40 SECOND PHRASE RECORDING/OVERDUBBING

G3’s Looper capabilities include 40 seconds of phrase recording and overdubbing. The “sound-on-sound” function allows you to layer guitar sounds as many times as you want in real time. You can use looped sounds as simple backing tracks or create a “full band” feel with the built-in drum machine and DSP effects for a live solo.

* When the UNDO/REDO functions is enabled, the recording time is limited to 20 seconds.

USB AUDIO INTERFACE FOR DAW RECORDING

G3 operates as an audio interface, letting you record directly to your computer via USB. All of your sound settings used during rehearsals or live performances can be recorded to your favorite DAW such as the included Steinberg Sequel LE recording software. The pedal’s direct monitoring capability eliminates any latency problems, assuring realistic studio conditions and hassle-free operation.

100 VERSATILE EFFECTS

Select from 100 built-in DSP effects to create your own sounds on G3. Try its renowned compression and wah pedals, chorus effects with stunning depth and resonant reverbs. Or let your tonal imagination run free with dynamic flangers, tremolos, harmonized pitch shifters, multi-tap delays, reverse delays and much more. G3 can store up to 100 of your original creations without a hitch.

INTEGRATED DRUM MACHINE

Choose from 40 different rhythm patterns, including 4, 8 and 16-beat, shuffle and many others. The tap key also makes it easy to directly set the tempo and start a jam session anytime.

BALANCED XLR OUTPUT FOR DI USE

With its built-in XLR output, you can avoid DI boxes completely and directly connect G3 to any mixing console and maintain a balanced, high quality signal. In addition, a convenient Pre/Post switch can direct an effected sound to the main outputs while passing the guitar signal directly to the XLR output without the help of an A/D converter.

OUTPUT MODES FOR STAGE OR STUDIO

Different output modes allow you to optimize G3’s tones based upon its connection with your personal rig. In addition to modes for the front inputs of combo and stack amps, G3 can be used as a preamp when connected to a power amp input. By selecting the direct mode with a line connection, you can achieve a realistic guitar sound that is optimal for live use and recording.

ADD A G3 TO YOUR PEDAL BOARD

G3 is perfect for use in combination with traditional stompboxes. By adding a G3 to your pedalboard, you will decrease the size and complexity of your setup, while expanding your system’s effects and modeling capabilities.

ACCURATE, REALTIME TUNER FUNCTION

The pedal’s Tuner function offers smooth, real-time response with precise guitar tuning accuracy. Whether you’re in the middle of a performance or practicing alone in your room, simply hold down the pedal’s center footswitch to start getting your strings back on pitch. In addition, G3’s LCD displays and LED indicators make the feature easy to use on a dark stage, where you can also mute the output for seamless tuning.

WORLD'S FASTEST PATCH CHANGE SPEED: 1ms

With G3’s amazing 1ms patch change speed, you will never miss a beat. Change from rhythm playing to a solo in an instant by simply pushing the switch.

EXTREMELY FAST 5 MS PATCH CHANGE SPEED

With its amazing patch change speed of only 5 milliseconds, the G2.1Nu allows you to never miss a beat. Change from rhythm playing to a solo in an instant by simply pushing the switch and start playing the solo phrase at the same time because the muting interval when switching patches has been reduced to an absolute minimum.

BATTERIES, AC ADAPTER OR USB POWER

G3 can operate on three different power sources: AC adapter (included), batteries or USB bus power when plugged into your computer. Four AA/LR6 alkaline batteries provide over six hours of continuous playing. Whether on stage or in the studio, G3 gives you reliable power options.

ULTRA-LOW NOISE DESIGN

G3’s signal-to-noise ratio of 120dB and noise floor of -100dBm virtually eliminate background noise. G3’s ZNR noise reduction removes feedback and other unwanted sounds, providing you with beautiful tones and natural release.

OPTIONAL EXPRESSION PEDAL AND FOOTSWITCH

Connect an optional FP02 expression pedal to G3 and control effect parameters such as wah, pitch shift, volume, drive gain, modulation rate and delay/reverb mix in real time. Use an optional FS01 footswitch to tap the tempo used for the drum machine, looper and effects. You can also use an FS01 to mute the Delay/Reverb input or turn Delay Hold on or off.

RUNS ON BATTERIES AC ADAPTOR USB BUS POWER

The G2.1Nu can use three different power sources: AC adaptor, batteries or USB bus power when plugged into your computer. Four AA / LR6 alkaline batteries are good for 6.5 hours of continuous use. Whether in the studio or on stage, the G2.1Nu gives you power options that work.

FREE EDIT&SHARE SOFTWARE

Zoom’s Edit&Share software, which is available as a free download for G3, allows you to create, edit and save your personalized amp and effect settings on your computer. Use its “radar charts” to access visual representations of each preset’s tone characteristics, amp/effect sorting feature to easily locate your sounds and drag-and-drop options to rearrange patches for editing purposes. With Edit&Share, you can download the latest patches online, as well as share your patches with others.

DETAILED SPECIFICATIONS:

Effect Types: 107
Simultaneous Effects: 3
Patch Memory: 10 patches x 10 banks
Sampling Frequency: 44.1kHz
A/D Conversion: 24bit, 128 times over-sampling
D/A Conversion: 24bit, 128 times over-sampling
Signal Processing: 32bit floating point and 32bit fixed point
Frequency Response: 20Hz - 20kHz + 1.0dB, -3.0dB (10kΩload)
Display:LCD x 3
Input: 1/4'' phone jack;
Rated input level: -20dBm;
Input impedance: 1MΩ; ACTIVE/PASSIVE (Switch selectable)

Output:
RIGHT: 1/4'' phone jack; Maximum output level: +5dBm (Output load impedance: 10kΩ or higher)

L/Mono/Phone 1/4'' stereo phone jack (LINE / PHONES); Maximum output level: [LINE] +5dBm (Output load impedance: 10kΩ or higher), [PHONES] 20mW + 20mW into 32Ω load

Balanced OutputXLR jack; Output impedance: 100Ω(HOT-GND, COLD-GND), 200Ω(HOT-COLD); PRE / POST (Switch selectable); GND LIFT (Switch selectable)

Control Input: For FP02 / FS01
Power: AC adapter: DC9V/Center negative/500mA (ZOOM AD-16)

Batteries: AA/LR6 battery x 4; Battery Life: 6 hours (with alkaline batteries)

USB: Bus power
Dimensions/Weight: 170 (D) x 234 (W) x 54 (H) mm / 1.2kg (without batteries)
USB Interface: 16bit, 32kHz/44.1kHz/48kHz
Supported OS: Windows XP/Vista/7, Mac OS X v10.4/10.5/10.6
S/N: 120dB
Noise Floor: -100dBm
Power Requirements: AA size(LR6)battery x 4, AC adaptor (AD-16: DC9V/Center negative/500mA), USB bus power
Battery Life: 6.5 hours (with alkaline batteries)

Windows is registered trademarks of Microsoft Corporation.

• Mac and Macintosh are registered trademarks of Apple Inc.

• Steinberg and Sequel are registered trademarks of Steinberg Media Technologies GmbH.

• Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation.

• All features and specifications are subject to change without notice.

How to Wiring Electric Guitar

Blackstar - 5 Watt valve mini stack

Model: HT-5S MINI STACK
Brand: Blackstar

RM 2890.00

The HT-5s is the ultimate studio and practice amp, packing all the great tone and innovative features of the award-winning HT valve pedals into a two channel, footswitchable valve combo. The patent-applied-for ISF (Infinite Shape Feature) circuit gives you infinite adjustment over the characteristics of the tone control network and takes you from the USA to the UK and any where in between. So now you can effectively design your own tone and finally find ‘the sound in your head’.

• Innovative 5 Watt valve amplifier
• 1xECC83 and 1x12BH7 valves
• Unique push pull power amp design
• Award winning HT Pedal preamp
• Two footswitchable channels
• Two 1x10˝ Celestion speaker cabinets
• Enhanced tone control
• Patent-Applied-For Infinite Shape Feature (ISF)
• Fully equipped for studio or practice
• Speaker emulated output with 1x12 or 4x12 voicing
• Effects loop with effects level switch
• Footswitch included

Hamer STD-NT - Standard

"The idea here is to build a reduced size instrument that retains most of the full scale length, so that it plays and sounds like a normal guitar. The History of the Mini Standard goes back to Rick Nielsen's #0132 which was built in 1979. Soon after that we made one each for Joe Perry and Brad Whitford. In the 1980s we fitted one with all black hardware and a Floyd rose! This one recalls the styles from the '50s.

The challenge is to make an instrument that stays faithful to the full-size version without looking like a toy. By utilizing a 23 3/8" scale the playability and tone are very close to a full size guitar." The rosewood fingerboard ends with 21 frets. From this angle the guitar looks surprisingly like a "normal" sized Standard. The overall length of the entire guitar is less than 45". The slightly shorter scale enhances the fundamental, which, in contrast to its reduced size, really makes this little guy roar!

DETAILED SPECIFICATIONS

Top & Body Material:Maple
Neck Material: Maple
Construction: Set-In
Fingerboard Material: Rosewood
Bridge: Tune-o-matic, Stop Tailpiece
Tuners: Chrome
Scale Length: 24 3/4"
Pickups: Seymour Duncan 59 & Seymour Duncan JB
Finishing: Natural

Price: RM 1092.25

Line6 - Spider Jam

INSANE ROCK STAR TONES

Spider Jam™ gives you hundreds of coveted guitar sounds, sound-on-sound looping and the best band in the world right at your fingertips!

A member of the infamous Spider™ family, Spider Jam shares some popular family jewels like 200+ artist-created presets, 150+ song-based presets, 12 Line 6 original amp models and seven Smart Control FX, including reverb and delay. It’s full of fan favorites but Spider Jam also features some new, unique characteristics — like over 100 ribcage-rattling Endless Jam tracks and drum loops played by LA and Nashville’s top session musicians slamming the drums, thumping the bass and hacking away at guitars. These aren’t robotic, computer-generated jam tracks — you’ll feel your pulse racing while you’re jamming with top players in killer tunes that explode out of the speaker in vivid, uncompressed audio. Play for days over the Endless Jams and, with sound-on-sound loop recording, save your scorching solos right into Spider Jam.

Cooking at 75 watts, Spider Jam offers rhythm-section chemistry, hundreds of amazing guitar tones and all your recorded creations pushed out of a 12" Celestion® Custom speaker and a 2" tweeter — this thing’s got so much bang for your buck we should issue it with a health warning.

AMPLIFIER MODELS

Spider Jam™ comes pre-loaded with the tones that made the Spider family so popular: 200+ artist-based presets, 150+ song-based presets and 12 fully adjustable Line 6 original amp models. Just like most of us, each Line 6 original amp model has a light side and a dark side. Or, in some cases, a dark side and darker side…

Clean Red

Crisp, shimmering clean tones and warm jazz tones.

Clean Green

Glassy clean tones like those from the late 60s/early 70s. Inspired by* a ‘73 Hiwatt® Custom 100.

Twang Red

Classic, glassy high-end with some snap and bite. Inspired by* a Fender® blackface ’65 Twin Reverb® and a blackface ’64 Deluxe Reverb®

Twang Green

Swingin’ rockabilly tone a la vintage tweed. Inspired by* a ’53 Fender® tweed Deluxe Reverb®, a ’58 Fender® tweed Bassman® and a ’60 Gibson® Explore

Blues Red

From gritty, swampy clean tones to syrupy smooth drive tones. Inspired by* a mix of a ’65 Marshall® JTM-45, a ’58 Fender® Bassman®, a ’63 Fender® Vibroverb and a Supro®

Blues Green

Early British rock tone made famous by the Beatles the Stones. Inspired by* a fawn Vox® AC-30 with an updated and expanded tone control circuit

Crunch Red

Classic crunchy tone popularized by many early metal bands. Inspired by* a '68 Marshall® Plexi 50-watt

Crunch Green

The infamous brown sound inspired by* a ‘68 Marshall® Plexi 100-watt with a few added extras: jumped input channels and a Variac transformer

Metal Red

Tight and punchy high-gain sound. Inspired by* a Mesa/Boogie® Dual Rectifier®

Metal Green

Aggressive high-gain sound. The mid knob sweeps the tone spectrum: set to minimum for fuzz-pedal characteristics; set to noon for creamy, modern high-gain; crank it for Class A carnage

Insane Red

Famed and feared bone-crushing, brain-piercing grind. Inspired by* the Mesa/Boogie® Dual Rectifier® red channel

Insane Green

Short of a complete meltdown, as much input-gain distortion as possible while retaining tonal definition and character

EFFECTS MODELS

Spend more time playing and less time tweaking with Smart Control FX. Find the effect you want, turn the knob to the desired intensity and you’re done. Seven effects to choose from — use up to three at a time.

Smart Control FX

• Phaser
• Chorus/Flanger
• Tremolo
• Delay (with Tap Tempo)
• Sweep Echo (with Tap Tempo)
• Tape Echo (with Tap Tempo)
• Reverb

WORLD-CLASS RHYTHM SECTION

To get the best possible sounds, we’ve compiled a roster of ridiculously good A-list session players and recorded them at amazing studios around the country including Steve Vai’s studio, The Mothership, as well as Sound Asylum in Canoga Park, California and Sound Emporium’s Studio B in Nashville, Tennessee.

Get to know two of the masters who wrote and performed on many of the backing tracks in Spider Jam.

Musical director and bassist Tony Franklin is responsible for writing many of the tracks included in Spider Jam. Tony got his big break playing bass in guitar legend Jimmy Page’s supergroup, The Firm. Tony has since played with a long list of greats including David Gilmour, Marty Friedman, Gary Hoey and Quiet Riot.

Musical director and bassist Dave Pomeroy has played on more than 400 albums with such players as Elton John, Willie Nelson, Trisha Yearwood and The Chieftains. Dave was voted Bassist of the Year at the 1997 Nashville Music Awards.

To round out these tracks, Tony and Dave hired top guitarists, bassists and drummers, collecting a roster of the most devastating names in rock and country music today.

DETAILED SPECIFICATIONS
Sounds:

• 200+ artist-created presets
• 150+ song-based presets
• 36 user-programmable presets
• 12 custom amp models from Clean to Insane
• 7 Smart Control FX
• Vocal/Auxiliary effects plus preamps, compressors and three-band EQ

Hardware:

• 75 watts (mono)
• 12-inch Custom Celestion® speaker
• 2" tweeter for full-range audio playback of backing tracks
• Integrated chromatic tuner

Ins and Outs:

• Mini stereo MP3/CD input for playing along with your music
• XLR mic input with a dedicated volume knob perfect for vocals
• 1/4" aux input perfect for a second instrument including keyboard or bass
• 1/4" headphone out/POD® 2.0-style direct out for practicing with headphones or direct recording
• Routable RCA outs for playing full-range backing tracks through your home stereo

Looper:

• Up to 24 minutes of CD-quality recording time
• 100+ Endless Jam tracks and drum loops


OPTIONAL FOOT CONTROLLERS
FBV2 ™

• Scrolls through Channels A,B,C, & D
• Self-powered though the locking cable

FBV Express™ MkII

• Hands-free channel switching and more for most Line 6 amps and POD processors
• 4 channel switches: A, B, C and D
• Full-sized volume/wah pedal features plenty of grip
• Chromatic tuner display
• Bright LEDs show active channel, tap tempo and volume/wah
• FBV Control software allows for easy and unlimited mapping of FBV controls via USB (Mac®/PC)
• Durable footswitches and chassis
• Self-powered via included locking RJ-45 cable
• USB jack and RJ-45 jack

SUPPORT & DOWNLOADS

For product drivers and software downloads, please visit http://line6.com/software/.

Line 6 FBV Express MkII

Foot controller for Line 6 products - RM 365.50

Tough enough for arena stages yet small enough to fit in your backpack, FBV Express™ MkII delivers a crucial collection of hands-free functionality that will keep you at the foot of the stage instead of tied to the front of your Line 6 amp or POD®.




FOUR ON THE FLOOR

FBV Express MkII delivers out-of-the box, plug-n-play connectivity. Stomp the four steel footswitches to quickly store and select channel presets, synchronize your time-based effects with Tap Tempo, activate the chromatic tuner, and more. When paired with most Spider® IV and Spider Valve™ MkII guitar amplifiers, the footswitches also give you total control of Quick Loop, the amps' built-in 14-second sound-on-sound looper. The burly, full-sized volume/wah pedal feels solid under your foot and features plenty of grip. Clicking the toe-switch toggles between volume and wah control (with an illuminated LED to match). The bright and easy-to-read LCD shows tap tempo, active channel and the chromatic tuner (when activated).




FEATURES
• Hands-free channel switching and more for most Line 6 amps and POD processors
• 4 channel switches: A, B, C and D
• Full-sized volume/wah pedal features plenty of grip
• Chromatic tuner display
• Bright LEDs show active channel, tap tempo and volume/wah
• FBV Control software allows for easy and unlimited mapping of FBV controls via USB (Mac®/PC)
• Durable footswitches and chassis
• Self-powered via included locking RJ-45 cable
• USB jack and RJ-45 jack




CONTROL SOFTWARE

Take full advantage of FBV Express MkII with the free and downloadable FBV Control software. The application shows you a graphical representation of your FBV Express MkII and lets you customize the midi commands you send via USB. Assign the footswitches and pedal to perform MIDI CCs, bank changes, program changes and even transport commands to drive many popular audio applications including ProTools®, Propellerhead Reason® and Record, and more! Create and save endless variations - a few for gigs, a few for the studio - and easily add them to your FBV Express MkII via USB.

VOX VDL1 Dynamic Looper

• Product Overview
  

Create, play, and dynamically control looped phrases in real time!
The new VOX Dynamic Looper provides optimized effects and musical loop tools that together promise unprecedented new dimensions in live performance!

• Loop Pedal Processor offering intuitive footpedal control
• Infinite recording time using two independent loops (combined loop length up to 90 seconds)
• Add infinite layers with SOS recording capabilities
• Loop Quantize creates specific beat-length phrases that automatically loop on the beat
• 11 Pre Effects enhance and morph your instrument’s sound as you play & record loops
• Pre Effects include instrument simulations such as bass and acoustic guitar
• 11 Loop Effects radically transform the playback of looped phrases
• 100 programs (50 preset, 50 user); each offers settings for the Pre Effect and Loop Effect.
• Overdubbing with undo and redo capabilities
• Resample by adding new material onto a phrase being processed by the Loop Effect.
• Mic input for creating loops using other sources; such as vocals or percussion.
• Master Limiter maintains a consistent level between the original source and all loops
• Three stop modes – clean, delay, and fade – provide more loop playing creativity
• Key Lock function locks the panels controls but maintains the pedals for error-free performances
  

As a group, guitarists have always been noted for exploring new sounds and developing unexpected performance techniques that astonish and delight the listener. This in turn has fueled a vast array of equipment designed to stimulate and inspire the guitarist's creativity. The VOX Dynamic Looper is just such a product, ideal for the guitarist who seeks this type of new expressive power. Combining versatile effects, two independent loops, and intuitive “wah-style” footpedal control, the Dynamic Looper allows the player to develop their sound in nearly limitless ways. Just plug in, and you'll be creating phrases you never dreamed of, and enjoying the dramatic new world of loop performance techniques.

VOX Dynamic Looper Offers Serious Live Performance Features

Unit features two infinitely stackable loops, effects and complete control

VOX Amplification (Winter NAMM 2011, booth 6440) announces its new Dynamic Looper. This floor effect unit contains two independent loops, Pre and Post Loop effects, and a dynamic footpedal allowing real time control of both loops and effects.

Two independent loops can be stacked with an infinite number of tracks using innovative Sound on Sound recording, with no loss of fidelity. Overdubbing features include last-step undo and redo.

Eleven categories of Pre Effects can be applied to the sound before recording, each offering numerous options. There are standard effects such as wah and delay, and unique effects such as pitch shifting, filtering, synths, and even bass and acoustic guitar simulators. Pre Effects can be applied to the instrument input, Mic input or both.

Also included are Loop Effects, which can be applied to the recorded phrases. Eleven effect types are provided; multiple variations of each effect can be used to create highly original phrases. Loop Effects allow the user to apply effects and control the recorded phrases with Pitch, Speed, Scratch, Stutter, Reverse, Cross Fade, and numerous Filters, Delays and Modulation Effects.
A "wah-style" expression pedal provides volume control, or can be assigned to a specific parameter control for the Pre or Loop effect. The imaginative design allows users to create sounds never before possible on the guitar. Four additional footswitches allow convenient performance control of the pedal's presets and recording capabilities.

The VOX Dynamic Looper holds 100 Programs. A single program contains the settings for the Pre Effect, the Loop Effect and assignment of the expression pedal. There are 50 Preset Programs and 50 User Programs. Programs can be created by either editing one of the preset programs or by starting from scratch.
The built-in metronome can provide a rhythmic guide; Loop Quantize uses the tempo to create perfect-length phrases that loop on the beat. Auto Recording Start waits for an audio signal trigger, eliminating the need to hit record. The entire performance can be re-sampled as the basis for a new loop. Three Stop modes allow Loops to be stopped Clean, with Delay added, or to Fade out. The dual-mode Master Limiter assures a constant level between the loops and the original signal.

The VOX Dynamic Looper dual-loop pedal with Effects, will be available May 2011 with a U.S. MSRP of $400.00 about RM748


Product information is available at

http://www.voxamps.com/us


Double your creativity with two independent loops
The Dynamic Looper provides two independent loops, with a combined total record time of 90 seconds. Each loop can be stacked with an infinite number of tracks using innovative Sound on Sound recording, with no loss of fidelity. This two-loop design opens up complex and highly original performance techniques, such as switching between phrases of different lengths, or containing different chord patterns. Recording loops is smooth and easy; the Dynamic Looper offers a variety of tools to help you along. Auto Recording Start waits for your first note; the metronome can provide a rhythmic guide; and the Loop Quantize function uses the tempo to create perfect-length phrases that loop on the beat.

Overdub with undo and redo
Build up impressive loops and performances by overdubbing a new part on to a recorded phrase. Use the undo function to remove the last overdub; the redo feature puts it back! This allows for not only getting flawless overdubs, but also opens the door for sophisticated performances.

Pre Effects add unlimited variety to your sound
Eleven types of Pre Effect that can be applied to your sound as you perform. A diverse selection is provided, and each offers numerous options. For example, a single effect can offer a clean sound, compressor effect, vintage-feeling overdrive or an aggressive metal distortion – and more! There are also standard effects such as wah and delay, and unusual effects such as filter, synth, and even bass and acoustic guitar instrument simulators. With just a single guitar, you'll be able to enjoy an incredible range of instruments and sounds.

Loop Effects radically transform your recorded phrases
The Dynamic Looper also provides a variety of Loop Effects that can be applied to the recorded phrases, transforming the phrases in dramatic ways. Eleven effect types are provided; multiple variations of each effect allow the creation of highly original phrases, and the ability to still add to a loop after it has been recorded. These include unusual effects such as pitch change and reverse playback, as well as fresh new effect types such as Loop In Loop, Scrub, and Stutter effects – great for generating twisting, rhythmic performances. Loop effects create an entirely new arsenal of sounds never before possible on the guitar.

Performance Effects
As you play, there are even more features in the Dynamic Looper to enhance your musical presentation. The Master Limiter offers both a Soft and a Hard setting. The Limiter helps to maintain a consistent level between the original signal and the recorded loop playback, as well as the levels between the two loops. Three Stop effects determine how the loop playback will end – with clean, delay, and fade-out options.

100 Programs
Overall, the Dynamic Looper offers 100 programs. A single program contains the settings for the Pre Effect, the Loop Effect, and the pedal assignment. There are 50 preset programs ready for immediate use, letting you enjoy the Dynamic Looper's possibilities right away. You can also create and store up to 50 of your own programs in the user program area, either by editing one of the preset programs or by starting from scratch.

Intuitive Control Pedal
One of the most important features of the Dynamic Looper is the control pedal. Styled like a traditional VOX wah pedal, this rugged pedal can change the input Volume, a specified Pre Effect parameter, or a specified Loop Effect parameter in real time to transform the sound. Use the pedal to control the Pre Effects as you record, then switch it to control the Loop Effect on playback, or continue using the pedal to control the sound as you continue to play. This convenient pedal control is intuitive and easy to use.

Resample to create even more complex loop phrases
While using the Loop Effect and/or control pedal to modify the loop phrase as it plays back, you can use the Resampling function to re-record the result. Resampling allows the layering of multiple loop phrases and effects, adding to the intricacy of the looped phrases. Re-sampling can also be used to create loops of a different length than the previously-recorded loop. Creative and diverse performance possibilities await you.

Pre FX Target Mode
In addition to the standard instrument input (1/4” unbalanced); the Dynamic Looper is also equipped with an XLR input for a dynamic microphone. This input also has its own trim knob for setting the mic level. The Pre Effect can be set to apply to the instrument input, the mic input or both simultaneously. This simple feature unlocks even more performance possibilities.

VOX VDL1 Specificaitons

Effects

Pre effects: 11 categories

>PEDAL (Clean/Comp/Crunch/Overdrive/Distortion)
>WAH (Clean/Comp/Crunch/Overdrive/Distortion)
>MOD (Chorus 1/Chorus 2/Flanger/Phaser/Tremolo)
>BASS (Electric 1-4/Synth 1/ Synth 2)
>ACOUSTIC (4 types)
>PITCH
>STUTTER
>EQ (6 types)
>DELAY (Short/Clean/Analog/Tape/BPMSync 1-3)
>REVERB (Spring/Room/Hall)
>SCI-FI (Drone 1-3/Synth 1-3/SlowAttack)
>Loop effects: 11 categories

>VOLUME (Current/Loop1-2/ALL)
>X-FADE (Input-Loop/Loop1-Loop2)
>REVERSE (X-fade/Alternate)
>LOOP IN LOOP
>PITCH
>SPEED
>SCRUB
>STUTTER
>MOD
>FILTER (4 types)
>DELAY
>Master limiter: 2 types (Soft, Hard)
>Stop modes: 3 types (Delay, Fade Out, Phrase End)
>Number of programs: 100 (50 preset, 50 user)

Loop Specs
Maximum recording time: total of 90 seconds
Number of loops: 2
Audio inputs: INPUT jack (monaural) MIC IN jack (balanced XLR, phantom power not supported) MIC IN TRIM knob (for mic)
Audio output: OUTPUT jack (monaural)
Signal processing: A/D conversion=24-bit; D/A conversion=24-bit
Sampling frequency: 44.1 kHz
Dynamic range: 94 dB or better
Maximum input level: +7 dBu (typ.)
Power supply: AC adapter (DC 9V jack), STANDBY switch
Current consumption:140 mA
Dimensions (W x D x H): 264 x 245 x 76 mm/10.39 x 9.65 x 2.99 Inches
Weight: 2.2 kg/4.85 lbs.
Included items: AC adapter, Program list


*Specifications and appearance are subject to change without notice for improvement.

Zacky Vengeance from Avenged Sevenfold.

Model: ZV-BLADE
Brand: Schecter

With gold V-Blade graphics, gold hardware, and gold and black 3-ply crown inlays on the rosewood fingerboard this Schecter guitar delivers Zacky-style riffs. The mahogany body and neck have the classic dark tones and sustain that have defined Rock guitar. Seymour Duncan JB Humbuckers with a push-pull coil-splitting on the tone control give you a wide variety of tone to play with.

Specifications

Construction: Set-Neck
Body: Mahogany
Neck: Mahogany
Scale: 24.75”
Fingerboard: Rosewood
Frets: 22 Jumbo
Inlays: “V-Blade” at 12th fret w/3-ply crown
Pickups: Seymour Duncan JB set
Electronics: Vol/Vol/Tone (tap)/3-way switch
Bridge: TonePros TOM System
Tuners: Grover
Hardware: Chrome

Back To Classic

One More Time CD - iPod Special Edition

Traditional Gets Trendy
A real treat for the eyes and ears. That is the fascinating Wurlitzer One More Time CD - iPod Special Edition. This legendary classic moves with the times. Now with iPod and sound by Bose.

In the nostalgic design of the most beautiful jukebox ever built, the CD changer plays your favorite 100 CDs. The original ACOUSTIMASS® Three-Speaker System by Bose offers all your favorites and chart toppers in superb stereophonic quality.

Now the Apple iPod extends the music repertoire. A 60 GB iPod makes more than 10,000 songs available.

The new One More Time CD-iPod Special Edition—the exceptional way to enjoy music.

SPECIFICATIONS:
Height: 151.8 cm / 59.8"
Width: 81.5 cm / 32.1"
Depth: 64.0 cm / 25.2"
Weight: 156.9 kg / 346 lb.
Power Supply: 117V / 60cps US version, other countries 100 - 240V, 50/60 cps


FEATURES:
• CD changer available for up to 100 CDs (standard)
• Professional Philips CD player
• Stereo amplifier with automatic level control and electronic overload protection, power 2 x 55 watt RMS
• 4-digit LED display
• Microprocessor controlling all functions including credit and bonus steps as well as record plays and automatic memory of the most played tunes
• Background music (BGM) by programming the control unit to continuous play with random selection of all songs
• Facility to cancel single tracks
• Memory of statistical data
• Album play programmable
• Connections for microphone and additional amplifier
• Motor-driven paging system for 60 CD title cards
• BOSE® ACOUSTIMASS® Three-Speaker System
• Prepared for iPod, e.g. 60 GB
• Cabinet color white or black

FIREBIRD X - LIMITED EDITION

BODY CONSTRUCTION


The Physical Guitar


The guitar is made to be comfortable and amazingly easy to play. It features a lightweight body made from hand-sorted swamp ash, with a rock maple neck and Brazilian Angelim Rajado figure board. This construction not only makes it refreshingly light (allowing you to play for many hours without even noticing), but it also allows the guitar to achieve exceptional sustain and tonal range. Firebird X is capable of very resonant and acoustic-like voicing.


The guitar is a bit more than six pounds in total weight. Special resonant chambers not only decrease total weight, but also allow acoustic-like tones and increased overall sustain. The guitar is louder than a typical solid body with substantial tone from lowest bass note to highest treble note. To get more depth, we use a heavy bottom gauge of string with E being about "10" and low E about a "52" with a custom gauge insuring even, crisp tones for all six strings.

This guitar is clearly evolved from a Gibson Firebird, evocative of a rich history, but with contemporary features. With its hand-applied and unique high-end wood finish, the Firebird X is not unlike a cross between a vintage sports car and a modern sports racer. It is beautiful, historical and yet contemporary and unique. With a limited run of just 1,800 units, it is sure to become a collector classic.

Scarfs and large radius corners are everywhere the arm and body come into contact. It is smooth and comfortable, even when you are playing for hours. It's almost not there.

BALANCE – WITH STRAP AND SITTING
The balance point for the upper bout and the lower curve for placement on the leg are exceptionally balanced and comfortable. This is a guitar you can play for hours without soreness or fatigue.

We have developed a patent-pending strap that attaches at the upper bout with a single strap lock that comes with the guitar. That strap is much more comfortable, evenly distributing the lightweight beast and allowing complete freedom of motion. A simple adjustment allows you to adjust the hanging height on the fly. Both strap buttons are available if you desire a more traditional hang.

THE AESTHETICS – THE LOOK
The look builds on the Firebird's and Gibson's history. The wood grain is accentuated, so it "pops" with staining technique.


The fingerboard has character with a slightly burnt maple look. The neck inlays are tilted parallelograms, with a very dark wood. The headstock has a classic Gibson dove wing shape, which is bound, and a Firebird-style truss rod cover.


The look has a very classic fine furniture look with marquetry, elegant curves and smooth rounds. It is very appealing to a guitar player and non-guitar player alike.

NECK
The neck is thin, fast, and asymmetrical with a smooth, non-stick satin finish. A volute at the nut allows the hand to quickly find the first position and improves total sustain and strength. The neck joint is smoothly blended from neck to body with just a slight roundness, allowing maximum access to high register strings. The lower cut away cuts deeper, affording exceptional access to the high register.


The fingerboard has low-profile, fretless wonder frets and a highly polished Angelim Rajado surface. Angelim Rajado is an extremely smooth and durable precious Brazilian wood which is FSC certified.

This allows fretting to have almost no impact on pitch (higher frets cause a slight pitch change when the finger depresses the string). Finally, the fretboard is extended to 23 frets, allowing the player to achieve a full, two-octave range with a bend.

The Angelim Rajado neck is hand-sorted and is exceptionally stable, allowing previously unachievable tolerances on our factory set up and maintaining this great set up over time.

PICKUPS
The Firebird X product uses three mini-humbuckers and a vastly improved hexaphonic piezo bridge pickup with an improved low noise, high dynamic-range preamplifier, making this a fully active guitar. The pickups are based on traditional Firebird designs, but have been significantly improved to provide more tonal range and to match the studio-grade preamplifier section. The result is that the signal dynamic analog dynamic range exceeds the specification of the high-end electronics — 110 dB.

Each coil of the electro-magnetic pickup is individually controlled, allowing each coil to be on, off, or on-reverse polarity. The guitar's presets use the best combinations to recreate the world's best tones and some great new tones. New combinations can be made using the Firebird X editor, giving you an unlimited sonic palette.

•4 lead wire standard color code
•Mini-humbucker side-by-side coils
•Ceramic blade magnets
•Solid chrome cover
•Metalize plastic trim ring
•Well-shielded and adjustable for max S/N
•With 3 pickups, 6 coils
•Can be used in any combination
•Humbucking/noise canceling single coil modes
•Lower turns from 8400 (standard Firebird) to 4200 (lower weight and lower noise pickup)

The piezo pickup has a new, sweet acoustic-like tone, allowing the guitar to replicate a true acoustic instrument.

All controls on the guitar feel like they come from very high-end professional equipment. The pots are silky smooth with just the right amount of friction. All switches feel crisp and final — no wobble. The surfaces are knurled or textured to allow use with sweaty hands.

This guitar continues on a tradition of having electronic tuners, and a fourth generation of supporting hardware and software. What this means is that the guitar can change tuners even more quickly and accurately, with an even simpler way to get to multiple tunings.

The tuners can be used manually and have been enhanced to be more robust with a better feel when used manually.